Of
all the punctuation marks, parentheses are the most hilarious. Their
ostensible purpose is to de-emphasize what is between them, and yet,
when a writer installs those big curved goal posts, they do
anything but. In fact, they highlight precisely the thing they
pretend to hide. And although you the reader are supposed to
almost-ignore parentheses and what they contain, there is obviously
no ignoring possible. I love parenthetical remarks! I actually feel
more closely connected to text inside parentheses than out. The
writer suspects his parenthetical remark may be
unnecessary/tangential, but he could not bear to omit it.
Parenthetical remarks are secret and dear, like the security blanket
a kid turns to at night, after a triumphant day battling ninjas and
cafeteria ladies.
Parentheses
are also a great tool in interactive comedy. As we begin to create a
dialogue with the audience, think about putting psychic parentheses
around everything you do on stage. Here is the formula: ( each
awesome thing you do on stage ). Let's break that down:
(
= hey guys! I'm about to do something awesome! get ready for this!
are you ready? get ready!
AWESOME
THING YOU DO ON STAGE = an awesome thing, you do, on stage.
)
= hey guys! did you see that awesome thing I just did? how did
it go for you? I think it went well/not well!
Your
final close-parenthesis changes depending on whether or not you got
laughs/love during the awesome thing you did. If you got laughs/love,
then that check-in should be pretty triumphant and pleased with
yourself. If you did not get laughs/love, then that check-in should
contain concern, apologies and/or embarrassment. NOT TOO MUCH! We
will talk about the fragile ego of an audience later. But for now,
remember that your close-parenthesis moment is your opportunity to
show the audience that you have registered their response to what you
just did, and are evaluating whether it was a success/failure.
Here's
a sample internal monologue using the parentheses concept. Each
parenthesis moment is in italics; each awesome thing is in all caps.
Notice the way parenthetical moments are discreet, and yet they feed
into each other.
Okay
you guys, I am about to stand on my head. STAND
ON HEAD. That worked! What did you think of that? You liked
it! I'll do it again! Get ready! STAND
ON HEAD AGAIN. How'd you like it this time? Not so
impressed! Okay! This time I will stand on my head and sing Whitney
Houston. HEADSTAND. THE GREATEST
LOOOOOOVE OF ALLLLLLL. What did you think of that? You
loved it! I thought so!
Parentheses
ensure that you are in constant dialogue with the audience at all
times. And if you have to "step away" from them, in order
to focus on head-standing or Whitney-Houstoning or whatever awesome
thing you have prepared for them, then those parentheses ensure that
you never stray too far.
(What
do you think of this journal entry? Do you like it? I like it a lot,
because it gave me a chance to combine my love of grammar with my
love of comedy.)
(The
semi-colon is my other favorite punctuation mark; I am thinking of
how to incorporate that into this blog as we speak.)
(Wait
for it.)
Truth! The parentheses tend to be the insight into the performance! This is money!!
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